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New instruments
It is an old rumour that an old violin should be better than an new one. However, their age is not a guarantee for the quality for the tone. Even the best violins lose their original sound when they have often been repaired or a certain age is exceeded. That is why a new violin, hand-crafted by a master, often sounds better than an old one.
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DesignFollowing up to an approved tradition, we produce each instrument individually. Comprehensive studies of the design of Italian master instruments and knowledge obtained through experience are important foundations of our work. |
QualityThe quality is our highest priority for our workshop. Thus, components such as tuning pegs, tailpin, bridge and tailpiece are generally from leading brand companies. Of cours we also use high-quality precious woods, ebony, boxwood, palisander, palo azul and snakewood, decorated with mother-of-pearl, wooden- and gold fittings. |
Info: On our product pages at violins, violas as well as violoncello you can have a look at instruments of our workshop. |
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All instruments are tuned for optimal set harmony, highest quality in sound and play, before they leave our workshop. We provide special design, individual modifications of the strings, the neck or the bridge on request. | |
Special designA special output of the workshop are items which are made according to customers wishes, e.g.:
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The lacquerThe three main functions of the lacquer are:
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The lacquer has a great influence on the sound. Due to soft lacquer and insufficient ground coat of the wood, there is a risk of great attenuation of sound. Too hard and brittle lacquer causes shrill and penetrating sound. On the one hand a good instrument can be spoiled by a bad lacquer. And on the other hand a badly built instrument can never be a master instrument by a good lacquer.
The materials used for lacquer are exclusively natural products. The pore filler, for example, consists of propolis, a product of the bee. The solvents are made of natural essential oils.








